Written with the general reader in mind, this collection will prove useful by both scholar and student, and will lead the general reader to encounter one of the ...

In her reply to Baylis the author takes the opportunity to “clarify, and in some cases to correct, some facts”I am pleased to see Dr Baylis’s article relating to the Olivieri case at the Hospital for Sick Children and the University of Toronto. I thank her for the many facets of that case that she has articulated. Nonetheless, as the bioethicist most closely connected with the case at the clinical level I would like to take this opportunity to clarify, and (...) in some cases to correct, some facts.Dr Baylis entitles her section on the role of bioethics as “Stories of silence”. I differ from this view. Perhaps the stories are less stories of silence than stories to which others have not listened.I wish to make it quite clear that I have always supported Dr Olivieri and her colleagues in their actions with respect to the research that is at the centre of this case. I have been public in my support and I continue to be so.My departure from the Hospital for Sick Children was in no way caused by the Olivieri case. I was offered a challenging position at another Ontario …. (shrink)

Our memories are private and particular; when you and I share an experience our experience is yet in the very moment of sharing different for you and for me, and our two memories of an event in the past are still more disparate. For memories are shaped and constrained by the deep-lying organic stress of what we have lived through, of our actual living, in the interval between then and now. A memory follows the solitary track of our individual experience, (...) and, like the particle in modern Physical theory, is changed in and by the route it has traced. (shrink)

The experience of each one of us is individual, private and particular, and in its immediacy is incommunicable. Images of all sorts, sense factors, figments of the imagination, mental comments and judgments, all these impressions, some persistent, some fleeting, follow one another in endless passage through the consciousness.

In a paper on “Beauty and Greatness in Art” discussed at a recent meeting of the Aristotelian Society, Professor Alexander says: “In Art there are two standards; there is the strictly æsthetic standard, Is the work beautiful or not; has it attained beauty? and there is the question, Is it great or small?… This contrast of beauty and greatness is the old contrast of form and subject-matter.” Here is offered a problem of capital importance and of age-long interest, but alongside (...) of it there is a subsidiary and a much slighter question which has been comparatively little noticed and which may yet have bearing on the larger issue. This question is the relation of actual size, of size-in-itself, to the other factors in a work of art, and the reaction, if such there be, of such a size-factor upon the aesthetic whole. (shrink)

A recent issue of CambridgeQuarterlyofHealthcareEthics provides a fascinating look into the uncertainties surrounding the subject of human cloning. As Nelkin and Lindee point out, for example, the popular assumption is that this technology will lead to individual immortality. life everlasting for the deserving.considers the use of cloning for the replication of human individuals to be ethically unacceptable.”.

'Thinking Through Dance' explores important philosophical questions raised in and by dance. Its themes include the embodiment and personhood of dancers; issues of dance work ontology and performance identity; how dance is perceived and understood; the relevance of philosophy to dance as an artform; and whether dance itself, or its associated practices, are themselves philosophical in any significant sense. Individual essays draw on different philosophical traditions, including analytic, phenomenological and poststructuralist, and the primary focus is on theatre dance in the (...) Western tradition, although the issues discussed have a much broader sweep. The volume poses fundamental questions about what it means to be or witness a dancer moving, about the nature of choreography, dance works and performances, and about the interest and value of a dialogue between philosophy and dance. The philosophy of dance is a burgeoning field of enquiry and this volume seeks to represent something of the breadth of international research currently underway. It draws together contributors who are professional philosophers, dance scholars and dance practitioners, from Britain, continental Europe, the USA and South Africa. As the first anthology of essays about philosophy and dance to be published in English for some time, the aim is to provoke debate and develop the existing reflection on dance, but in new and invigorating directions. The Editors: The editors are colleagues at University of Roehampton, London: Jenny Bunker teaches aesthetics on the philosophy programme of the Department of Humanities; Anna Pakes and Bonnie Rowell are from the Department of Dance, and have a longstanding interest in the application of analytic philosophy to dance, as well as the intersections between this and other philosophical traditions and dance studies. (shrink)

Consensus is the holy grail of bioethics, the lynch pin of the assumption that well informed, well intentioned people may reach generally acceptable positions on ethically contentious issues. It has been especially important in bioethics, where advancing technology has assured an increasing field of complex medical dilemmas. This paper results on the use of a multicriterion decision making system (MCDM) analyzing group process in an attempt to better define hospital policy. In a pilot program at The Hospital for Sick Children, (...) Toronto, a series of small scale focus groups was constituted to examine criteria defining organ transplant eligibility. Criteria were organized hierarchically using the Analytic Hierarchy Process, an MCDM approach, and the resulting data was analyzed using Expert Choice 9.0, software designed to facilitate AHP analysis. Qualitative and quantitative analysis map barriers to practical consensus in a way not previously possible. (shrink)

The essays in this volume were written when John Henry Newman was a Fellow of Oriel College, Oxford. He wrote the first, on biblical miracles "The Miracles of Scripture," in 1825-26, as a relatively young man; the other, "The Miracles of Early Ecclesiastical History," was written in 1842-43. A comparison of the two essays displays a shift in Newman's theological stances. In the earlier essay, Newman argues in accordance with the theology of evidence of his time, maintaining that the age (...) of miracles was limited to those recorded in the Old Testament scriptures and in the Gospels and Acts. He asserts that biblical miracles served to demonstrate the divine inspiration of biblical revelation and to attest to the divinity of Christ. However, with the end of the apostolic age, the age of miracles came to an end; miracles reported from the early ages of the Church Newman dismissed as suspicious and possibly fraudulent. With this view, Newman entered into an ongoing debate between the skepticism of Hume and Paine and its continuation in the utilitarianism of Bentham, on the one hand, and the views of Christian apologists rebutting Hume's arguments, on the other. In "The Miracles of Early Ecclesiastical History," Newman can be seen as coming closer to accepting the doctrines of the Catholic Church. He rejects the stance he took in "The Miracles of Scripture," now arguing for a continuity of sacred history between the biblical and ecclesiastical periods. He had clearly abandoned the position of "evidence theologians" that miracles ended after the time of the Apostles. Newman's movement between the writing of the two essays is essentially a growing into a deeper awareness of the Church as a divine society in whose life miracles and supernatural gifts were to be expected. (shrink)

Over the course of its first seven editions, Principles of Biomedical Ethics has proved to be, globally, the most widely used, authored work in biomedical ethics. It is unique in being a book in bioethics used in numerous disciplines for purposes of instruction in bioethics. Its framework of moral principles is authoritative for many professional associations and biomedical institutions-for instruction in both clinical ethics and research ethics. It has been widely used in several disciplines for purposes of teaching in the (...) classroom, during conferences, etc. (shrink)

That Piagetian epistemology has the dynamics of knowledge growth as its core consideration predetermines a need to consider it as potentially applicable to teaching. This paper addresses that need by first outlining the Piagetian theory of equilibration and then applying it to the construction of methods of teaching science.

Examines the nature of music and traces the history of music philosophy from ancient Greece to the twentieth century.

Extending lifelines still further, beyond determinism leads to doubt about females' ability to select mates with “good genes,” and to a scenario for troop selection and to a link with questions of scale in ecology.

Time in romantic philosophies of music.- Romanticism, as an intellectual movement, presupposes a new vision, one which we are still living off. This paper makes a critique of time in the music of the period, and in musical thought of the period (taking for granted that the music and the thought are eseentially related). In this context, the question is raised, what conception of time is to be found in the philosophers of the nineteenth and twentieth centuries? This leads on (...) to a study of time in music and in musical theory, especially in those of the nineteenth centuries. (shrink)

The experience of each one of us is individual, private and particular, and in its immediacy is incommunicable. Images of all sorts, sense factors, figments of the imagination, mental comments and judgments, all these impressions, some persistent, some fleeting, follow one another in endless passage through the consciousness.